The Story of Scott Copeland Images

Scott has been photographing nature since he learned to use a camera 20 years ago - a Nikon FE2 with a 50mm f1.4 lens. While that makes him a relative newcomer compared to some photographers, he has been blessed with many opportunities to experience the natural world. Those experiences helped to focus his interest, and hone his skills.

Scott lives in Lander, Wyoming which is nestled up against the Wind River Mountains in Wyoming's heartland. Grand Teton National Park, Yellowstone National Park, and several wilderness areas are an easy day trip from there. When possible, he is out photographing. That means when he's not doing his day job or taking care of his young twin girls. He and his wife love to travel, which explains the photos from Katmai, the Yukon, and Patagonia. Scott uses Nikon camera equipment, including a D800 & D800E, his latest toys.

The studio is a digital darkroom at home with an Epson Pro 3880 and 7600 printer. Both are setup to use Ultrachrome inks with the matte black ink. All prints are on premium matte papers because these papers produce better, more consistent results compared to glossy papers.

My Philosophy

Any of the images here are available for free use to non-profit pro-environment organizations. Without such groups these photos may not have been possible, and may not be possible in the future.

I don't photograph captive animals. I don't do anything to a digital image that I couldn't do to a negative. My goal is to see nature and capture it in its truest form. In other words what you see is real and as close to what I saw as I could get.

I love photographing wild animals. There is a unique relationship between the photographer and the subject animal. As photographers, we are in the animal's home, and I am always aware of this fact and try to be a good guest. I work hard not to harass or disturb the animals I photograph - even if it means missing the shot. There is a paradox created by the desire to not disturb the animals, and the need to get close to take truly intimate shots. Generally, this can be mitigated with long telephoto lenses, and I use a 600mm f4 lens for maximum magnification. Magnification alone won't always get you the light and composition you need to make the shot. Another key factor is patience. When possible, I eschew big crowds at "bear jams", and try to interact with animals when I'm alone. This allows me to observe the animals and react to their behavior. I let the animals set the distance they are comfortable with and try to choose lighting and composition to get the best shots I can. I will gladly sit for hours and watch an animal, waiting for the one unique moment to make a shot. In fact, the opportunity to observe wildlife is the largest perk by far of the craft.

The reality of wildlife photography is that often it is possible to get closest to animals from inside a car. While I won't pass on a good shot if it presents itself while I'm in my car, I try to be away from the road when I shoot.